The Erin Pearson Collection

A private collection · Brisbane

Untitled

Leonie Chinn

The Work

A close, intimate portrait, rendered in loose, urgent charcoal — layered scribbled linework around the hair and shoulders giving way to more considered tonal shading across the face itself. The gaze is direct but withdrawn, the expression difficult to place — somewhere between weariness and quiet unease. The subject has an almost meditative, ambiguous presence — it's never been entirely clear to me who they are, only that the piece called to me the moment I saw it. Signed and dated by the artist, lower right.

This piece hung for years in the back workshop area of the ARTIS PURA studio, and I felt genuinely connected to it the whole time I had it there. The subject's expression always struck me as somewhere between anxious and searching — an expression I've since come to recognise, looking back, as one I relate to through my own experience of autism. I don't know if that was ever the artist's intention, but it's what drew me to the piece and kept me close to it for so long.

Year
2017
Medium
Charcoal on paper
Image size
575 mm x 825 mm
Framed size
825 mm x 1,085 mm
Catalogue
0003

Provenance

I came across Leonie through a studio sale she advertised on Facebook. I went along and ended up buying several pieces that day, but this one — untitled — was the standout for me.


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Framing

I framed this in a style I did often in my early years in the business — a hand-finished, closed-corner rounded profile, finished after construction rather than pre-finished. It's paired with conservation clear glass and rag matting throughout, in keeping with proper archival framing standards. It's a simple, quiet frame, which felt right for a work built on line and gesture rather than colour or ornament.

About Leonie Chinn

Leonie Chinn is an experienced and awarded visual artist living and creating in the Moreton Bay Region of southeast Queensland. She studied drawing over six years at the original Byron Bay School of Art, while simultaneously completing a first-class Honours degree in Philosophy. Her work draws on gestural, contour, and tonal drawing techniques, combined with calligraphic mark-making and collage elements. Her practice centres on the human figure, often exploring states of emotional and spiritual intensity through large-scale charcoal and mixed-medium drawings, and her work has been exhibited widely across Brisbane and southeast Queensland.